自然意象与元历史:唐代的怀古诗

• 作者： 杨小滨 ¹
• 作者单位：
  1.  台湾 “中研院” 文哲所
• 提交时间：2024-09-15

摘要: 在怀古诗中,自然景观或古迹所唤起的过去被认为是一种奢侈而短暂的形象,而自然被表现为 荒凉的,却是抹去历史的恒久力量。 自然力量对人类历史的磨灭成为怀古诗的核心主题。 这样的元历史 视野可以追溯到老子、庄子的自然观,而与孔子的自然观有着情感指向上的微妙差异。 怀古诗聚焦于自 然力量对人类历史的征服,故而历史意象和自然意象的二分法形成了原初的寓言结构。 从李白的怀古诗 中,我们可以看到道家自然观的基本构成,这样的观念在刘禹锡、杜牧等重要的怀古诗人的作品中也有显 著呈现。 在一定程度上,怀古诗学触及了历史的废墟样态,呼应了本雅明对历史闪回的敏锐捕捉。 但基 于道家传统的怀古诗学并不指向救赎,因为自然所代表的道已经替代了未来的乌托邦。

Abstract: In nostalgic poetry, the past evoked by natural landscapes or monuments is considered a glorious yet fleeting image, while nature is
represented as a desolate but permanent power that erases history. The erasure of human history by natural forces has become the core theme of nostalgic poetry. This kind of meta-historical vision can be traced back to the views of nature of Laozi and Zhuangzi, and there are subtle differences in emotional dimension from Confucius’s view of nature. Nostalgic poetry focuses on the conquest of human history by natural forces, so the dichotomy between historical images and natural images forms the original allegorical structure. From Li
Bai’s nostalgic poems, we can see the basic composition of the Taoist view of nature. This concept is also prominently displayed in the works of important nostalgic poets such as Liu Yuxi and Du Mu. To a certain extent, nostalgic poetics touches on the ruins of history, echoing Walter Benjamin’s acute capture of historical flashbacks. But the nostalgic poetics based on the Taoist tradition does not point to redemption, because the Tao represented by nature has replaced the utopia of the future.

• 分类： 中国语言文学 >> 中国古代文学
• 稿件状态： 已在期刊出版
期刊名称： 《复旦学报（社会科学版）》 2024年 第4期 “中国古代文学研究”专栏
• 引用： PSSXiv:202409.01306 (或此版本 PSSXiv:202409.01306V1)
  DOI:10.12451/202409.01306
  CSTR:32012.36.PSSXiv.202409.01306
• 推荐引用方式： 杨小滨.自然意象与元历史:唐代的怀古诗.复旦学报（社会科学版）,2024(4).[PSSXiv:202409.01306V1] (点此复制)