中国当代工笔画的观念创新与形式探索

• 作者： 王力平 ¹⁴⁶⁸² 许慧岚 ¹⁰³⁷⁰
• 作者单位：
  1.  安徽艺术学院美术学院

  2.  安徽师范大学美术学院
• 提交时间：2024-06-19

摘要: 中国工笔画经历了传统工笔、写实工笔和当代工笔的发展过程。当代工笔画在传统的基础上接受了西方写实造型思想和“现代水墨”的创新观念，到新世纪形成了中国工笔画的现代转型。当代工笔画在创新形式上，接受西方造型观念中的构成、透视、色彩、光影、媒介等方法并应用到当代工笔画的创作中去。当代工笔画在创作语言表现上出现了“新工笔”现象，他们追求水墨媒介形式的表达，追求画面唯美效果的表达。中国当代工笔画实现了从过去注重笔墨语言表达到当代注重水墨媒介形式探索的转化。

Abstract: Chinese fine brushwork painting has experienced the development process of traditional fine brushwork, realistic fine brushwork and contemporary fine brushwork. On the basis of tradition, contemporary fine brushwork painting has accepted western realistic modeling ideas and the innovative concept of “modern ink”, and completed the modernization transformation of Chinese  fine brushwork painting in the new century. Contemporary fine brushwork painting has embraced Western modeling concepts such as composition, perspective, color, light & shadow, and media in the exploration of form, and after that, the phenomenon of “new fine brushwork” has emerged in Chinese contemporary art. New fine brushwork artists pursue the expression of ink media form and aesthetic effects of the image, so that contemporary Chinese fine brushwork painting has realized the transformation from focusing on the expression of ink and brush language in the past to the exploration of ink media form in the contemporary era.

• 分类： 艺术学 >> 美术与书法
• 稿件状态： 已在期刊出版
期刊名称： 《当代美术家》 2023年 第3期
• 引用： PSSXiv:202406.00411 (或此版本 PSSXiv:202406.00411V1)
  DOI:10.12451/202406.00411
  CSTR:32012.36.PSSXiv.202406.00411
• 推荐引用方式： 王力平,许慧岚.中国当代工笔画的观念创新与形式探索.当代美术家,2023(3).[PSSXiv:202406.00411V1] (点此复制)