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注意力”的情动意指与艺术的主体性生产——评乔纳森·克拉里的《知觉的悬置》(上)

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The Affective Signification of “Attention” and Artistic Subjectivity Production——Review on Jonathan Crary’s Suspensions of Perception (Ⅰ)

摘要: 继《观察者的技术》(Techniques of the Observer)出版后十余年,克拉里出版了《知觉的悬置》一书。该书秉承了克拉里一贯的研究风格,用综合了自然科学、哲学和心理学的研究方法,通过对马奈、修拉、塞尚的作品进行个案分析,以十年为一个阶段交代一种现代注意力的历史演进关系,聚焦于一个一以贯之的主题——人类之眼,并再次回归到对现代性景观的思考。

Abstract: 10-plus years after the publication of Techniques of the Observer, Crary published Suspensions of Perception, which has continued Crary’s researching style, synthesizing the methods of natural science, philosophy and psychology. This book focuses on the consistent theme—the eye of human, and return to the thoughts about the spectacle of contemporariness, with a decade as a phase expressing the contemporary attention’s historic evolving relationship, through case study of Manet, Seurat and Cézanne’s works.

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[V1] 2024-06-21 11:52:19 PSSXiv:202406.00451V1 下载全文
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