“内美”与“国画民学”——黄宾虹的绘画美学思想与民族文化建构及其当下意义

• 作者： 王宗英 ¹⁰²⁸⁷
• 作者单位：
  1.  南京航空航天大学艺术学院
• 提交时间：2024-07-03

摘要: 黄宾虹浑厚华滋的绘画风格所诠释的“内美”，和他所建构的“内美”与“国画民学”学术系统，是一位坚守民族文化传统和民族精神传承的知识分子面对 20 世纪上半叶国家动荡、民族危亡贡献出的文化救国、救亡良策。形而上的“内美”，既具体表现为个人内在的精神修养和国家民族所呈现出的民族修养，亦是“国画民学”萃取的中国绘画蕴藏的巨大文化价值，是对中国古典画论中“传神”“技进乎道”等思想的继承和发展。黄宾虹以“内美”为核心范畴，使传统画论中零散的、渗透在审美各方面的重“内美”观念或倾向有机联系在一起，并“以金石入画”的实践证明了“内美”与“国画民学”在当代实行的可能。对“内美”的价值追求不仅内部推动中国画语言的革新与创造，亦使得民族文化精神得以永续。

Abstract: Huang Binhong’s rich and abundant painting style interpretation of “Inner Beauty”, along with and the academic system of “inner beauty” and ”Chinese Painting Folklore” constructed by him, adheres to the national cultural tradition and the spirit of an intellectual faced with the national turmoil and peril of the first half of the 20th century. This contribution led to the cultural salvation strategy. The metaphysical concept of “Inner Beauty” not only specifically reflects an individual’s inner spiritual cultivation and national identity, but also extracts significant cultural value from “Chinese Painting Folklore”, inheriting and developing Chinese classical painting theories such as “vivid techniques” and “Tao”. With “Inner Beauty” as the core category, Huang Binhong organically links scattered and permeated aesthetic aspects of traditional painting theory related to inner beauty, or tendencies, together. His practice of “with epigraphy into the painting” proves the possibility of “Inner Beauty” and “Chinese Painting Folklore” in contemporary practice. The pursuit of the value of “Inner Beauty” not only internally promotes innovation and the creation of Chinese painting language but also sustains the national cultural spirit.

• 分类： 艺术学 >> 美术与书法
• 稿件状态： 已在期刊出版
期刊名称： 《当代美术家》 2024年 第2期
• 引用： PSSXiv:202407.00133 (或此版本 PSSXiv:202407.00133V1)
  DOI:10.12451/202407.00133
  CSTR:32012.36.PSSXiv.202407.00133
• 推荐引用方式： 王宗英.“内美”与“国画民学”——黄宾虹的绘画美学思想与民族文化建构及其当下意义.当代美术家,2024(2).[PSSXiv:202407.00133V1] (点此复制)