“大美无言”：繁昌窑青白瓷的历史地位、工艺特征及审美取向

• 作者： 许政　高晨 ¹ 高晨 ²
• 作者单位：
  1.  池州学院艺术与教育学院

  2.  池州学院艺术与教育学院
• 提交时间：2024-08-29

摘要: 繁昌窑作为南唐贡窑，是目前我国已知最早烧制青白瓷的窑址，已被列入全国重点文物保护单位。其创烧于晚唐时期，五代至宋代早期盛行，宋代中后期衰落，南宋初期停烧，虽烧制时间不长，却因首创且使用“二元配方”工艺制作出最早的青白瓷，在当时“南青北白”的瓷业格局中留下了璀璨印记。由于繁昌窑青白瓷断烧近千年，致使申报非物质文化遗产项目阻碍重重，繁昌窑青白瓷精湛的制瓷工艺、特色的审美文化与深厚的文化底蕴，在当代并没有得到相应的地位与重视。本文拟对繁昌窑青白瓷的历史地位进行阐述，并从器
型、釉色、纹样三个方面剖析其工艺特征，进而揭示出繁昌窑造物的审美取向，旨在加深对繁昌窑的文化认知，促进在当代的传承与持续发展。

Abstract: Fanchang Kiln, as a tribute kiln of the Southern Tang Dynasty, is the earliest known kiln site for firing bluish white porcelain in China, and has been listed as a national key cultural relic protection unit. It was created and fired in the late Tang Dynasty, prevailed from the Five Dynasties to the early Song Dynasty, declined in the middle and late Song Dynasty, and stopped firing in the early Southern Song Dynasty. Although it was not kilned for a long time, it was the first one to use the "binary formula" process to produce the earliest bluish white
porcelain, which left a brilliant mark in the pattern of the porcelain industry at that time. Because the blue and white porcelain of Fanchang kiln has been not kilned for more than a thousand years, there are many obstacles to the declaration of intangible cultural heritage project. The exquisite porcelain making technology, characteristic aesthetic culture and profound cultural connotation of the blue and white porcelain of Fanchang kiln have not received the corresponding status and attention in the contemporary era. This paper intends to elaborate the historical status of the bluish white porcelain of Fanchang Kiln, analyze its technological characteristics from three aspects of shape, glaze color
and pattern, and then reveal the aesthetic orientation of Fanchang Kiln's creation, aiming at deepening people's cultural awareness of Fancheng Kiln and promoting its inheritance and sustainable development in the contemporary era.

• 分类： 艺术学 >> 设计艺术学
• 稿件状态： 已在期刊出版
期刊名称： 《当代美术家》 2023年 第3期
• 引用： PSSXiv:202409.00108 (或此版本 PSSXiv:202409.00108V1)
  DOI:10.12451/202409.00108
  CSTR:32012.36.PSSXiv.202409.00108
• 推荐引用方式： 许政　高晨,高晨.“大美无言”：繁昌窑青白瓷的历史地位、工艺特征及审美取向.当代美术家,2023(3).[PSSXiv:202409.00108V1] (点此复制)