摘要: 随着城市化进程的加快以及城市美术馆的饱和,乡村美术馆在近年来成为大众缓解城市焦虑、探寻个性化参观之旅的一个新选择。尽管乡村美术馆并不是本世纪的新产物,但它确实随着现代艺术的兴起、交通科技的推动等原因正处于发展高峰期。并且,受到乡村地缘文化的属性影响,乡村美术馆在迅速发展的过程中又呈现出复杂且多样的方向,它们或拓宽了现代艺术的可能性,或振兴了当地的旅游业和服务业,或自发成为地区记忆的保存与传承者等。可以说,乡村美术馆为学界研究美术馆与社区、地区的关系展开了一个新的视角,也为思考美术馆如何与不同的受众群体建立联系提供
了可供参考的大量样本。本文旨在使用新博物馆学的研究方法,对国际范围内的数个乡村美术馆进行考察和分类,在尝试归纳出乡村美术馆的四个发展类型的基础上,从艺术、地区、人的角度对这四个类型的利弊影响进行剖析。
Abstract: With the acceleration of urbanization and the saturation of urban art museums, rural art museums have become a new option for the public to relieve urban anxiety and explore personalized tours in recent years. Although the rural art museum is not a new product of this century, it is indeed in its booming with the rise of modern art and the promotion of transportation technology. In addition, influenced by the geo-cultural attributes of the countryside, rural art museums have shown complex
and diverse directions in the process of rapid development, either broadening the possibilities of modern art, revitalizing the local tourism and service industries, or becoming spontaneous preservers and transmitters of regional memory, etc. It can be said that, the rural art museum has opened up a new perspective for academics to study the relationship between art museums, communities and regions, and also provides
a large number of samples to consider how art museums can connect with different audience groups. Applying a neo-museological research approach, this article aims to examine and classify several rural art museums in an international context, and based on
an attempt to summarize the four developmental modes of rural art museums, analyze the pros and cons of the implications of these four modes from the perspectives of art, region, and people.
[V1] | 2024-08-29 15:32:50 | PSSXiv:202409.00114V1 | 下载全文 |
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