实验之维：生态艺术的本体性建构

• 作者： 王蓓蕾 ¹
• 作者单位：
• 提交时间：2024-09-03

摘要: 在实验艺术的学科体制下，生态艺术
在努力拓展疆界以建构新的艺术方向，这对当下
的艺术状况形成了强烈的冲击。本文从生态主题
表达、生态原则内化、生态媒介转换、艺术体制
与观念拓展几个方面，强调生态艺术作为新的艺
术形态如何实现生态主题向生态媒介的转换同时
厘清生态艺术概念，推动生态艺术的本体性建构。

Abstract: With the maturity of the discipline system of experimental art, ecological
art is also trying to expand its own horizons for new artistic possibilities, which has created
a strong impact on the current artistic forms. Based on the expression of ecological theme,
the internalization of ecological principles, the transformation of ecological media, and the
expansion of artistic system and concept, the article further discusses how ecological art, as a
new artistic form, can facilitate the transformation from ecological theme to ecological medium.
Meanwhile, it tries to clarify the concept of ecological art so as to promote the ontological
construction of ecological art.

• 分类： 艺术学 >> 艺术学理论
• 稿件状态： 已在期刊出版
期刊名称： 《当代美术家》 2021年 第2期
• 引用： PSSXiv:202409.00302 (或此版本 PSSXiv:202409.00302V1)
  DOI:10.12451/202409.00302
  CSTR:32012.36.PSSXiv.202409.00302
• 推荐引用方式： 王蓓蕾.实验之维：生态艺术的本体性建构.当代美术家,2021(2).[PSSXiv:202409.00302V1] (点此复制)