抗战时期风景油画的创作转向探索

• 作者： 耿德法 ¹
• 作者单位：
  1.  四川美术学院造型艺术学院
• 提交时间：2024-09-03

摘要: 随着抗日战争的爆发，民族思潮日趋高涨，动荡的社会环境导致文艺思想与革命话语日趋结合，因而改变了风景油画的生存环境，促使艺术家们不得不改变原有的艺术观念。无论是在绘画语言还是内容题材和文化内涵上都发生了根本性的转变。现代主义风格无法直接为抗战宣传而遇冷，写实主义与民族形式获得了深刻的关注。美术作品要与抗战现实相结合，进而催生了从“无主题”的自然风景向为革命服务的“主题性”风景油画分野。

Abstract: With the outbreak of the War of Resistance against Japan, the national
ideological trend was rising day by day, and the turbulent social environment led to the
increasing combination of literary and artistic thoughts and revolutionary discourse, which
had changed the living environment of landscape oil painting and prompted artists to change
their original artistic concepts. Fundamental changes have taken place in painting language,
content, theme and cultural connotation. Modernist style which cannot be directly used for
the propaganda of the war of resistance against Japan was ignored, and realism and national
form received profound attention. Art works should be combined with the reality of the war
of Resistance against Japan, and then gave birth to the distinction from natural scenery with
“no theme” to “thematic” landscape oil painting serving the revolution

• 分类： 艺术学 >> 美术与书法
• 稿件状态： 已在期刊出版
期刊名称： 《当代美术家》 2022年 第6期
• 引用： PSSXiv:202409.00418 (或此版本 PSSXiv:202409.00418V1)
  DOI:10.12451/202409.00418
  CSTR:32012.36.PSSXiv.202409.00418
• 推荐引用方式： 耿德法.抗战时期风景油画的创作转向探索.当代美术家,2022(6).[PSSXiv:202409.00418V1] (点此复制)