摘要: 在中国当代艺术的发展中,艺术群落是重要的特征之一,2000 年以来,艺术群落表现为艺术家在艺术创作物理空间上聚集,并形成了以艺术区为代表的主要发展模式。本文以“都市铆钉 :艺术群落在西南”展览为出发点,讨论艺术群落在 2000 年前后所呈现出来的不同样貌与特征,探讨 2000 年后艺术群落发展的状况语问题,分析西南艺术群落所呈现出的不同。
Abstract: In the development of Chinese contemporary art, art cluster is one of the important characteristics. Since 2000, art cluster has been expressed as the artists gathering in the physical space for artistic creation, which forms the main development model with the representation of art zone. Taking the exhibition "Urban Humanities: Art Cluster in the Southwest" as the starting point, this article discusses the different appearances
and characteristics of art clusters around 2000, and the situation and problems of the development of art clusters after 2000. Also, the differences shown by art clusters in Southwest China are analyzed.
[V1] | 2024-09-02 15:12:06 | PSSXiv:202409.00436V1 | 下载全文 |
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