Nature-human Integration:Escaping from Space Stress, Returning to Time Onta ——Film Nomadland’s Life Nomadic Politics Reflections
摘要: 电影《无依之地》讲述了一个在金融危机中失去了一切的老女人寻找生命意义进而获得自我救赎的故事。影片将特色锁定于记录风格的场景设计、艺术化的剪辑叙事、富有寓意的视觉冲击,调动出浅淡隽永,却又深入人心的情感,展现了对生命严肃反思的直觉。文章结合柏格森、列斐伏尔、海德格尔、德勒兹以及宋明理学的相关理论深入分析了《无依之地》中展现的直觉革命,即通过直觉逃离空间胁迫,回归时间本体,达到天人合一的境界,展现生命游牧的情怀。
Abstract: Film Nomadland tells the story of an old woman who lost everything in the financial crisis, looking for the meaning of life and obtaining self salvation.The film’s feature focuses on the scene design with recording style,artistic editing narrative and meaningful visual impact, mobilizing soft and implicit but deeply rooted emotions, and showing intuition of serious reflection on life. Combined with the relevant theories of Bergson, Lefebvre, Heidegger, Deleuze and Neo Confucianism of Song and Ming Dynasties, the article profoundly analyzes the intuitive revolution shown in Nomadland, that is, to escape the space coercion through intuition, return into time onta, achieve nature-human integration, and show feelings of life nomadism.
[V1] | 2024-09-21 19:35:41 | PSSXiv:202409.01820V1 | 下载全文 |
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