李渔工艺审美观研究

• 作者： 周祯瑞　 ¹ 王悦 ¹
• 作者单位：
  1.  山东工艺美术学院
• 提交时间：2024-10-09

摘要: 李渔在戏曲理论和生活美学方面的成就获得后世大量关注，但研究者对于其工艺美学审美思想层面的研究上呈现出的方法与角度较为单一。本文基于对《闲情偶寄》进行工艺审美思想内容整理与提炼，从李渔特殊的个人经历、社会经济、时代背景入手进行研究，并从明清文人思想流变史和李渔所著书籍的翔实理论资料中总结其工艺审美观，试图从时代审美与文人思想流变的角度探析李渔在技艺崇尚、和谐美、“趣味”美学角度中所蕴含的工艺审美观，并结合实际情况给予现代设计美与生活的启示。

Abstract: LI Yu’s significant achievements in traditional Chinese opera theory and life aesthetics have received a lot of attention from later generations, but his research methods and perspectives in the aesthetic thinking of craftsmanship aesthetics are single. Based on the sorting and extraction of the content of craftsmanship aesthetic ideas in “Leisure Love Occasionally Sent”, this study starts with LI Yu’s special personal experience, social economy, and historical background to study his craftsmanship aesthetic views. It also summarizes his craftsmanship aesthetic views from the historical evolution of literati thinking in the Ming and Qing dynasties and the detailed theoretical materials in LI Yu’s books,attempting to explore LI Yu's view on craftsmanship aesthetics embedded in craftsmanship admiration, harmonious beauty and "fun" aesthetics perspective. Moreover, combining with the actual situation, it provides inspiration of aesthetics and life for modern art.

• 分类： 艺术学 >> 设计艺术学
• 稿件状态： 已在期刊出版
期刊名称： 《当代美术家》 2024年 第3期
• 引用： PSSXiv:202410.01257 (或此版本 PSSXiv:202410.01257V1)
  DOI:10.12451/202410.01257
  CSTR:32012.36.PSSXiv.202410.01257
• 推荐引用方式： 周祯瑞　,王悦.李渔工艺审美观研究.当代美术家,2024(3).[PSSXiv:202410.01257V1] (点此复制)