扩展场域的展览:论中国当代艺术展览的空间转向

• 作者： 高远 ¹
• 作者单位：
• 提交时间：2024-10-09

摘要: 综合观察各类学术展览活动，可以发现近10年来的中国当代艺术展览的空间观念主要呈现以下几方面的趋向，主要表现可以概括为:绘画作品展陈的空间化和装置化;作品与场所的意义叠加、独立空间的兴起:扩展场域的展览:作品和展览的跨媒介性与在地性;走向虚拟空间。这四个面向既可作为未来写作的提纲，亦可作为分析当下问题的切入点。它们正说明了自2010年以来，中国当代艺术的展示空间与作品的关系悄然发生的转变以及由策展性实践引发的展览空间的扩展。

Abstract: By comprehensively observing various academic exhibition activities.it can be found that the spatial concept of Chinese contemporary art exhibitions in thepast l0 years mainly presented the following trends, and the main performanee can besummarized as: the spatialization and installation of the cxhibition of paintings; thesuperposition of meanings and the rise of independent space; exhibitions that cxpandthe field: the cross-media and locality of works and exhibitions; going to virtual space.The four aspeets can be used as an outline for future writing and as an entry point foranalyzing current problems. They have demonstrated the changes that have taken placein the relationship between the exhibition space and works of Chinese contemporary artsince 2010, as well as the expansion of the cxhibition space caused by curatorial practice.

• 分类： 艺术学 >> 艺术学理论
• 稿件状态： 已在期刊出版
期刊名称： 《当代美术家》 2020年 第3期
• 引用： PSSXiv:202410.02599 (或此版本 PSSXiv:202410.02599V1)
  DOI:10.12451/202410.02599
  CSTR:32012.36.PSSXiv.202410.02599
• 推荐引用方式： 高远.扩展场域的展览:论中国当代艺术展览的空间转向.当代美术家,2020(3).[PSSXiv:202410.02599V1] (点此复制)