墨与物 ——用当代艺术理论重建水墨批评话语系统

• 作者： 王春辰 ¹
• 作者单位：
• 提交时间：2024-10-09

摘要: 经过几代人的努力，今天的水墨实践不同于传统，具有了强大的影响力和画家群体，但是依然缺少合理性与和逻辑性的批评术语构建。本届“武汉水墨双年展”续承首届的“墨攻”理念，提出“墨与物”主题和概念，其主旨是为当代的中国水墨新实践给予批评话语建构。提出“墨与物”这个概念，是来超越“墨”作为媒介的单一性和固有沉淀的内涵，而“物”作为现代概念,已经超越了物质性的自然属性成为现代哲学与文化表述的概念。本文分别从“墨与物”“墨与墨”“物与物”“墨与笔”“墨与心”“墨与影”六个方面，通过对传统概念和现当代艺术理论进行结合,并将参展的水墨艺术家进行梳理，来对“墨与物”的概念进行阐释。

Abstract: After the efforts of several generations, today's ink painting practice isdifferent from the tradition and has a strong influence and group of painters, but it stilllacks rationality and logical construction of critical terms. “Wuhan Ink Art Biennale’continues the concept of "Pursuit by Ink " of the first edition, proposing the theme of"Ink and Things". Its main purpose is to construet a critical discourse for the new practiceof contemporary Chinese ink painting. The concept of "ink and things" is put forwardto surpass the unity and inherent precipitation of "ink" as a medium, and "things” as amodem concept, and has surpassed the natural attribute of materiality, becoming theconcept of expression of modern philosophy and culture. This article explains the conceptof "ink and things" with six aspects, including "ink and things" "ink and ink" "thingsand things" "ink and brush" "ink and heart" "ink and shadow", with the combination oftraditional concepts and modern & contemporary art theories and the introduction ofparticipating artsits.

• 分类： 艺术学 >> 艺术学理论
• 稿件状态： 已在期刊出版
期刊名称： 《当代美术家》 2020年 第4期
• 引用： PSSXiv:202410.02607 (或此版本 PSSXiv:202410.02607V1)
  DOI:10.12451/202410.02607
  CSTR:32012.36.PSSXiv.202410.02607
• 推荐引用方式： 王春辰.墨与物 ——用当代艺术理论重建水墨批评话语系统.当代美术家,2020(4).[PSSXiv:202410.02607V1] (点此复制)