当代艺术语境下的公共艺术实践

• 作者： 谭勋 ¹
• 作者单位：
• 提交时间：2024-10-16

摘要: 学科的交汇让当代艺术与公共艺术的边界更模糊，思想则更开阔。“公共性”“在地性”“介入性”显示出二者的不同亦是相互交汇的可能。西方当代艺术家在建构自我体系中，借用公共艺术形式、向公共领域延伸在思想维度上为公共艺术带来了新的文化承载与信息。在中国，当代艺术也不断与公共艺术融合。无论是公共艺术实践中面对新语境的“随缘式延续”，还是公共经验搬入艺术系统的“顿悟式阻断”，或是寻常物的异常化，抑或是行动、科技、公共事件的巧妙结合，这些当代艺术语境下的公共艺术实践，让两者都迸发出更大的能量，不断向前延伸。

Abstract: The intersection of different disciplines blurs the border between contemporary art and public art, and broadens the horizon of thinking. “publicity” “inthe- site” “intervention” have demonstrated that the difference of the two is also the possibility of mutual interchange. In the construction of self-system, contemporary western artists have applied the forms of public art and extended the new cultural connotation and information in public sphere which are brought to public art in the ideological dimension. In China, contemporary art is integrated with public art, no matter it is “occasional extension” that public art confronts in the new context, “insight block” that public experience has moved to artistic system, or the alienation of usual things, the artful combination of action, science & technology and public event, all of which make the two erupt massive power and extend further continually.

• 分类： 艺术学 >> 艺术学理论
• 稿件状态： 已在期刊出版
期刊名称： 《当代美术家》 2019年 第1期
• 引用： PSSXiv:202410.02636 (或此版本 PSSXiv:202410.02636V1)
  DOI:10.12451/202410.02636
  CSTR:32012.36.PSSXiv.202410.02636
• 推荐引用方式： 谭勋.当代艺术语境下的公共艺术实践.当代美术家,2019(1).[PSSXiv:202410.02636V1] (点此复制)