中国西南少数民族题材油画创作研究

• 作者： 侯宝川 ¹
• 作者单位：
• 提交时间：2024-10-16

摘要: 20世纪50年代至今，油画在中国当代艺术中一直处在重要地位，少数民族题材的油画由于其地域性、民族性、宗教性以及文化艺术的多样性，使其具有丰富的文化意蕴。而西南地区少数民族题材的油画创作是中国当代油画创作的一个重要命题。本文从西南少数民族题材的油画创作入手，通过对于艺术家在西南少数民族题材油画的创作路径分析，探讨艺术家在少数民族题材的写生所带来的对于个人创作路径上的作用。

Abstract: Since 1950s, oil painting has played an important role in Chinese contemporary art. Oil paintings themed on ethnic minority have rich cultural connotation due to its locality, ethnicity, religiousness and cultural diversity. The creation of oil painting themed on ethnic minority in Southwestern China is an important subject in Chinese contemporary oil painting creation. Setting out with the creation of oil painting themed on ethnic minority in Southwestern China, this article discusses the effects on individual’s creation methods brought by sketching themed on ethnic minority through the analysis on the creation paths of the artist’s oil painting themed on ethnic minority in Southwestern China.

• 分类： 艺术学 >> 美术与书法
• 稿件状态： 已在期刊出版
期刊名称： 《当代美术家》 2019年 第2期
• 引用： PSSXiv:202410.02640 (或此版本 PSSXiv:202410.02640V1)
  DOI:10.12451/202410.02640
  CSTR:32012.36.PSSXiv.202410.02640
• 推荐引用方式： 侯宝川.中国西南少数民族题材油画创作研究.当代美术家,2019(2).[PSSXiv:202410.02640V1] (点此复制)