摘要: 源自1988年“国际水墨画邀请展88’北京”的“深圳国际水墨双年展”已经走过30年历程。值此迎来“第十届深圳国际水墨双年展”之际,重视理论研究、增强学术内涵,已成为继续打造这一水墨艺术的专业学术交流平台,发挥其推动当代中国美术发展和向世界弘扬中华民族优秀文化的积极作用。作为一个重要时间节点,它既是对过去30年的水墨创作实践及展览的研判,也将是展览走向理论深度的一次启程。
Abstract: Starting from 1988, International Ink Art Biennial of Shenzhen which originated from International Invitation Exhibition of Ink Painting 88’Beijing has been held for 30 years. 10th International Ink Art Biennial of Shenzhen which emphasizes theoretical studies and academic connotation has already become the professional platform for academic communication. Nowadays, it is critical to boost the development of Chinese contemporary art and to promote traditional Chinese culture to the world. As an important time node, 10th International Ink Art Biennial of Shenzhen is the research and judgement of the past 30 years’ ink art practice and exhibition, and a journey to more profound theory as well.
[V1] | 2024-10-16 16:45:33 | PSSXiv:202410.02647V1 | 下载全文 |
1. 非遗文化元素在城市会展设计中的创新应用研究 | 2024-10-30 |
2. 信仰表征与权力维护:先秦仪式装饰艺术的功能价值 | 2024-10-29 |
3. 中国古文字基因汇入当代艺术设计的风格路径——以韩美林 “天书”风格为例 | 2024-10-25 |
4. 在古典与现代边缘:超现实主义历史维度中的达利《海神》 | 2024-10-25 |
5. 艺术社会学视野下的展览制初探——对迪基艺术制度理论困境的一种微观反思 | 2024-10-25 |