贵州少数民族题材油画创作研究——以侗族、苗族题材为例

• 作者： 侯宝川 ¹
• 作者单位：
• 提交时间：2024-10-16

摘要: 中国少数民族地区丰富的文化艺术历史、人文景观、神秘的自然风光、古朴的民俗文化活动，构成了少数民族油画创作的主题源。贵州位于西南边陲，地势上处于云贵高原，造就了其独特险峻的自然地域风光，又因为少数民族聚集使其拥有独特的人文风貌和民族特色。本文旨在对贵州苗族、侗族题材油画作品的艺术价值进行深入分析与研究，并列举艺术家在贵州的油画写生与创作，进而对中国西南少数民族题材的油画创作写生与艺术家的创作路径进行总结分析。

Abstract: China’s minority nationalities have abundant culture and art history, human landscapes, mysterious natural scenery, as well as simple and unsophisticated folk cultural activities, which forming the theme resources of the creation of oil paintings on minority
nationalities. Locating in the border area in Southwest China and lying on the Yungui Plateau, Guizhou province has distinct and precipitous natural scenery. Furthermore, due to the gathering of minority nationalities, it has distinct humanities style and national features. This paper aims at deep research and analysis on the artistic value of the oil paintings with the theme of the Miao Nationality and the Dong Nationality in Guizhou province. By listing artists’ sketching and creation of oil paintings in Guizhou province, it concludes and analyzes the creation and sketching of oil paintings with the theme of minority nationalities in Southwest China, as well as artists’ creation routes.

• 分类： 艺术学 >> 美术与书法
• 稿件状态： 已在期刊出版
期刊名称： 《当代美术家》 2019年 第6期
• 引用： PSSXiv:202410.02662 (或此版本 PSSXiv:202410.02662V1)
  DOI:10.12451/202410.02662
  CSTR:32012.36.PSSXiv.202410.02662
• 推荐引用方式： 侯宝川.贵州少数民族题材油画创作研究——以侗族、苗族题材为例.当代美术家,2019(6).[PSSXiv:202410.02662V1] (点此复制)