青藏高原东缘地区“道歌”艺术溯源及其流变

• 作者： 李言统 ¹ 马 茹 芳 ¹
• 作者单位：
  1.  韩山师范学院

  2.  韩山师范学院
• 提交时间：2024-08-20

摘要: “道歌”作为一种民间说唱艺术，从唐至今一直绵延不绝。它源于佛教人士对佛教义理的宗教认识，并在此
基础上形成的一种宗教文本。因其特殊影响，最终演变成对儒释道宗教思想认识和理解的一种诗赞体的民间说唱艺
术，然后借助强大的信仰传统，获得不断的演绎和丰富，出现“道歌”的各种变体。对“道歌”与“小宝卷”的缘起、
“道歌”的源流追溯以及在地化传承诸问题的学术探索，有助于理解和认识青藏高原东缘地带流传的“道歌子”、道
拉、嘛呢经等民间说唱文本的发展及其演变。

Abstract: “Dao Ge,”as a form of folk narrative singing art, has been continuously propagated from the Tang
Dynasty to the present. It originated from the religious understanding of Buddhist tenets by Buddhist practitioners,
and on this basis, it evolved into a religious text. Due to its unique influence, it eventually transformed into a folk
narrative singing art in the form of poetic praises that convey the understanding and interpretation of the religious
thoughts of Confucianism,Buddhism, and Taoism.Then, leveraging the strong tradition of faith,it underwent continuous
reinterpretation and enrichment,leading to various variants of “Dao Ge.”Academic exploration into the origins of
“Dao Ge”and “Xiao Bao Juan,”the tracing of the sources of “Dao Ge,”and the issues of its localized inheritance
are conducive to understanding and recognizing the development and evolution of folk narrative texts such as “Dao Ge
Zi,”Dao La,and Ma Ni Jing that are circulated in the eastern edge of the Qinghai-Tibet Plateau.

• 分类： 文化学 >> 文化学
• 稿件状态： 已在期刊出版
期刊名称： 《青海师范大学学报（社会科学版）》 2024年 第2期 “青藏高原文化”专栏
• 引用： PSSXiv:202408.01322 (或此版本 PSSXiv:202408.01322V1)
  DOI:10.12451/202408.01322
  CSTR:32012.36.PSSXiv.202408.01322
• 推荐引用方式： 李言统,马 茹 芳.青藏高原东缘地区“道歌”艺术溯源及其流变.青海师范大学学报（社会科学版）,2024(2).[PSSXiv:202408.01322V1] (点此复制)