非遗手作的实践途径与社会美育价值分析

• 作者： 何佳 ¹
• 作者单位：
  1.  南京林业大学艺术设计学院
• 提交时间：2024-08-29

摘要: 非遗手作来源于传统手工艺，它是手工艺的现代形态和都市转化。本文基于案例调研，梳理和分析了非遗手作在公共文
化机构、手工艺文化企业/村落、手作坊和文创市集以及自媒体和数字化应用的四种实践途径。一方面希望可以帮助传承人、民间手艺人或文旅机构寻找盈利模式，挖掘非遗
手作在文创服务和发展审美创意经济方面的潜力；另一方面尝试从“社会美育”的视角重构非遗手工艺文化，力图发掘非遗手作服务美育建设的社会价值，形成具有时代特点和中国特色的社会美育，同时响应国家提升“文化自信”的时代命题。

Abstract: Intangible cultural heritage is derived from traditional handicrafts, which isthe modern form and urban transformation of handicrafts. Based on case studies, this paper sorts out and analyzes four practical ways of intangible cultural heritage in public cultural institutions, handicraft cultural enterprises/villages, handicraft workshops, cultural and creative markets, we-media, as well as digital applications. On the one hand, I hope to help inheritors, folk artisans or cultural tourism organizations to find profit models and tap the potential of intangible cultural heritage in cultural and creative services and the development of aesthetic & creative economy. On the other hand, this paper tries to reconstruct the intangible cultural heritage handicraft culture from the perspective of "social aesthetic education", trying to explore the social value of intangible cultural heritage handicraft to serve the construction of aesthetic education, form social aesthetic education with the characteristics of the times and Chinese characteristics, and respond to the proposition of the times to enhance the "cultural
confidence" of the country.

• 分类： 文化学 >> 文化学
• 稿件状态： 已在期刊出版
期刊名称： 《当代美术家》 2023年 第2期
• 引用： PSSXiv:202409.00132 (或此版本 PSSXiv:202409.00132V1)
  DOI:10.12451/202409.00132
  CSTR:32012.36.PSSXiv.202409.00132
• 推荐引用方式： 何佳.非遗手作的实践途径与社会美育价值分析.当代美术家,2023(2).[PSSXiv:202409.00132V1] (点此复制)