汉武帝歌诗与汉乐府制乐

• 作者： 杨 赛 ¹
• 作者单位：
  1.  上海音乐学院 公共基础部
• 提交时间：2024-09-15

摘要: 汉武帝热衷于歌诗创作,其代表作《秋风辞》采用楚辞体、楚乐、“兮”字句,旋律性很强。 相和歌 体,表现了一代雄主踌躇满志、多愁善感的形象,奠定了汉乐府向死而生、雄浑悲壮的审美取向。 汉武帝 命李延年为协律都尉,重兴汉乐府,大大扩充了汉乐府的职能。 汉乐府大量采集俗乐和胡乐,完善了宗庙 歌《安世房中歌》十七章,制作了《郊祀歌》十九章、《横吹曲》二十八章。 汉乐府实现了从周、秦雅乐到汉 乐的转变,对后代清商乐的发展产生了深远影响。

Abstract: Emperor Wu of Han was enthusiastic about poetry creation. His representative work Qiufeng Ci (Song of the Autumn Wind) adopts the style of Chu Ci (the Chu Rhetoric) and uses Chu music and the “Xi”-construction. Through the strong melody and Xianghe Song style, it portrays an image of a heroic overlord who is ambitious and sentimental, which lays down the Han Yuefu's (Folk Music in the Han Dynasty) aesthetic orientation of being vigorous and solemn. Emperor Wu appointed Li Yannian to take charge of music affairs, reviving the Han Yuefu and greatly expanding its functions. The Han Yuefu collected a large amount of folk music and Hu music (Central Asian music), perfected 17 Zongmiao song “An Shi Fang Zhong Ge,” produced 19 “ Jiao Si Ge,” and 28 “ Heng Chui Qu. ” The Han Yuefu achieved a transformation from Yayue (ceremonial music) of Zhou and Qin Dynasties to the music of Han Dynasty, which had a profound impact on the development of Qingshangyue in later generations. 

• 分类： 中国语言文学 >> 中国古代文学
• 稿件状态： 已在期刊出版
期刊名称： 《复旦学报（社会科学版）》 2024年 第4期 “中国古代文学研究”专栏
• 引用： PSSXiv:202409.01305 (或此版本 PSSXiv:202409.01305V1)
  DOI:10.12451/202409.01305
  CSTR:32012.36.PSSXiv.202409.01305
• 推荐引用方式： 杨 赛.汉武帝歌诗与汉乐府制乐.复旦学报（社会科学版）,2024(4).[PSSXiv:202409.01305V1] (点此复制)